“Salo, or the 120 Days of Sodom” in the Two Toed World of Thoughts and Prayers

Oh my dear darlings, the fallen leaves of last year left on the ground to rot. I know you missed me, as much as I missed the stench of clogged sewer holes of New York City. I would be still quietly enjoying this gooey muck the mad, mad world is spreading around like some kind of cow shit on the fields of freedom if not for somebody finding the picture of my innocent toes (gasp!) worth of removal from the Internets. Boy, oh boy, they are going to be not sorry they stepped on my two crusty chicken fingers. They woke me up like that bear I ate last winter (long story).

You see, all would be cool and dandy and I would be still posting bare assed celebrities on social media, but the removal of one of my personal photos from the Facethingy I love to stick around and watch how the facts disappear and opinionated flat earthers become the messiahs giving the free ranged “thoughts and prayers” was a bit too much. My two titsy-bitsy toes caught somebody’s attention. It was utterly appalling. The unimaginable happened. I looked at my toes as I have never looked at them before. Oh you naughty little things. How dare you prostitute yourself around like that. I put my feet into the crocs, two and a half sizes too small, and… damn, I needed to calm myself down, so I went to my vault of the most calming movies ever made and re-watched the delightful film of them all Salo, or the 120 Days of Sodom, because, you know, that’s how I protest censorship.

Oh my dear darlings, if you just knew how this film calms me down. When the times are unsure there is nothing more enjoyable as watching some prune faced fucks (pardon for my French) torture kids. It is almost like watching a reality show shot somewhere at the Mexican border. I mean, there is a reason why raping, killing and abducting kids for prostitution and organ harvesting is so in vogue today. Just look at this film Pasolini created in 1975. He got killed before the premier of the film though, so there is no way for us to find about all these fashionable traits we are experiencing today, but the evidence he left behind in the film might reveal to us the mystery of it all.

Salo, o le 120 giornate di Sodoma (Salo, or the 120 Days of Sodom). Dir. Pier Paolo Pasolini. Subject and Script: Pier Paolo Pasolini and Sergio Citti. Criterion, 1975, (that’s right, my darlings, you will need to read the subtitles, but you might be distracted by some titties, a random ass fuck or your upset stomach, so the subtitles might become the last thing you will worry about.)

The movie is divided in four parts “The Antiferno,” “The Circle of Madness (or Manias),” “The Circle of Shit,” and “The Circle of Blood.” Every circle is constructed as Dante’s “Inferno” deeper you go mushier it becomes.

In the Antiferno four men sign a paper where they decide to get married to each other’s daughters. (Oh, just look at that, the incest right from the top of the film, but there is more, no outsiders allowed to join the most exclusive club of them all!) The Duke, The Bishop, The Magistrate and The President are the rich and the powerful who will decide who will live and who will be punished during their “reign” in Salo “republic” they create. They have four libertine women to help them to achieve what their sick minds are imagining. They recruit four well endowed men as their guards (and occasional fucks) and go to the country side for…

Nine girls and nine boys are chosen during the Antiferno part. There are naked titties and penises flopping around. These “creators of jobs” are inspecting each girl and each boy. They are not interested in spending on no insurance, no. Perfect health and dental hygiene is checked on each of the teenagers who stand as some kind of cattle for sale. They are looked at, touched and otherwise humiliated by the four. It seems like there is no dental plan to be splurged on, so one of the girls is out of the picture, after it is discovered, she is missing a tooth. After the inspection is done, the boys and girls are collected into a truck and transported to their future job site. If I would not know when this film was set, I would have thought these boys and girls were taken to one of those places which name sounds like that forest in Brazil. Oh, there is one boy who jumps out of the moving car, but he finishes with a bullet in his scull. Poor lad, he thought he could escape the system.

In the Circle of Madness we see the chatto (fancy French name for the “castle”) where the victims will be living for the rest of the film (the rest of their lives). They are introduced to the rules. The four read them, as would a priest read the commandments in the church. They sounds pretty much like these agreements you must sign. If you don’t follow them, you will be punished. The first punishment drops in almost immediately. A girl who prays for God suffocates in front of His image. Poor girl, it seems like she didn’t read to the end of what she was signing for. She looked at something inappropriate on her wall. The Facething chocked her to death, thus banned her for life. (Oh my goodness!)

The first madam is introduced with her mad stories of sexual perversion. The behavior of the four is out of the proportions. Though, can you believe it, but this circle is not as bad as the circles which will follow it. In this circle an occasional rape with occasional nails in your soup or an occasional bullet in somebody’s skull are like this breakfast coffee with a croissant you might enjoy, though no coffee and no croissant is going to be served because…

In the Circle of Shit there is nothing more important than a piece of shit. It is served on a silver platter during the shit eating fiesta. The second madam tells her sexy scat stories. Nobody can poop before the party, because, hellooo, no turd can be wasted. It is the main dish on the dinner table, mind you. Of course, one of the girls could not hold it anymore. So she left a little tootsie roll in a poo-pee pot and oh my, my, she ended up with the rest of the punished girls and boys in a tub of browny delight, literally bathing in it, while the others enjoyed the shitfest with an occasional ass fuck as if that’s how you throw a party, all perfectly normal, don’t you think?

The Circle of Blood is not for the weak. The last madam is there with her blood and gore stories of pleasure. After she finishes her last tale about bloody this and bloody that, the four prepare themselves for the big bloodshed where all the punished girls and boys will be tortured and later killed. During this part the piano player silently commits suicide by jumping out the window (ups!) Two boys, after being fondled by the Duke or the Bishop, I can’t tell it now, dance a slow dance while he watches through the binoculars how a tongue, an eye, and scalp are cut by the other three on the square outside of his window, which reminds of a pigsty with the kids running around naked in the mud. All of it is performed in silence and in the distance.

The film has all the things that show how lovable the human nature is. Who could deny torturing kids while some “proper” ladies in their most expensive ballgowns tell us how they were taken advantage of by one or several “proper” gentlemen and how much they liked it. I mean, they tell first world country’s problems, but still. Oh, Pasolini, how dared you show the high society in such a light. You should had known not to step on anybody’s toes (aha, the toes!)

Not sure how far you can go watching this film? My darlings, good news, we are living in it today. Isn’t fabulous? What are these mass shootings or occasional wars we don’t even know why we fight anymore in comparison to all this fun we see in this film. There are always thoughts and prayers to be sent somewhere. It’s not like we have to go to a post office and buy a stamp or something. It’s all free and we can do that while siting on the toilet. Click click and we are done. You might feel a bit queasy after learning about some random immigrant dying somewhere at the imaginary border, very reality TV I would say, but to feel like somebody just stuck a metal rod into your brain, scalped you off and popped your eyes out of the sockets with the kitchen knife is what we are aiming for, don’t we? Besides there are always opioids to be prescribed by doctor this or doctor that, you know. These lovely rich, hard working people, will prance on your bleeding guts after they skin you and leave you to bake in the scorching sun after paying you the “minimum wage” because, well, that shit they were serving you on the silver platter was full of nails, so be happy the price for the nails was not deducted from your paycheck. My darlings, no crocs will stop you from leaping out of the window the way this piano player lady did by the end of the film, because, well, you just have no insurance to pay for all this wonderful madness. But, I mean, how dared she leave you without her piano music.

My dear darlings, after emptying my bowels quite a few times (that might actually do good for my figure!) I realized that maybe these pruned faced people who pretend to be so proper, shitting on the golden toilets, really are preparing us for a similar party. Aw, how very considered of them, don’t you think? Isn’t delightful how all is decided for us? There is no need to be a hero the way this boy at the beginning of the film was. Do you really want to escape this madness you are forced to encounter? You might finish with a bullet in your scull, if you try something stupid, like protest or some shit like that. Oh, you would be such a waste. There is so much potential in you, so much young skin to be skinned, so much torture to be experienced. The big pharma would really miss you. Many might say, you are lucky if you end up with the bullet and I say phf, they don’t know what they are talking about.

This film will be hard to swallow. If these kids can eat the actual shit while being raped and tortured by these very few who have the power, you will be just dandy. Pasolini ended up with his member out in the mud with an open fly and his scull mushed in as if it was a deflated ball. His body was ran over by a car a couple of times, because, well, with this film he stepped on those two toes he was not supposed to step on.

Is this a film you have to watch? Absolutely! Should you watch it with your date? Sure! Especially if you are trying to ditch that date and be written off in their phone book as a pervert. I tell you, every time I am around this film, I put it on. See, it saves me breakfast. (Smiley face)

Oh, and here is that picture of my two sexy fish sticks! Go ahead, get your rocks off, I don’t mind, neither do they. Tah-dah!

Before Being Executed – Death, Desire and Disgust in Film

Baise-Moi (Fuck Me). Directed by Virginie Despantes and co-directed by Coralie. Remstar, 2000⁵

     “…why not turn criminal and become an agent of Heaven?”⁶ The Marquis de Sade

     Baise-Moi tells a story about two girls; Manu a thuggish looking girl, played by Raffa Anderson and Nadine a part-time prostitute played by Karen Lancaume. Two of them meet at the train station after a couple of “misfortune” events in their lives.

     Before meeting Nadine Manu and her only friend, a drug addict, are rapped by three degenerate street punks. After the rape Manu goes to her brother and tells what has happened. Manu’s brother reacts by vowing to find and take revenge upon the rapists, but is killed by Manu instead. Manu takes all his money and leaves.

     Meantime in another part of the town Nadine returns home from her job as a prostitute to find her roommate all pissed of because Nadine has smoked all her pot and has drunk all the alcohol in the house. After some argument Nadine attacks her roommate and suffocates her. Later Nadine goes to meat her only friend a drug dealer and her pimp in a hotel. Her friend gives her a package with documents and asks Nadine to bring them to Paris. When Nadine’s friend leaves Nadine hears gun shots and witnesses her friend being killed on the street right before her eyes. Nadine quickly leaves the place and heads towards the train station. She misses the train but meets Manu instead.

     Manu and Nadine exchange words with each other. They realize that they share common feelings of anger and together begin go on a violent road trip characterized by the pattern of meeting men, having sex with them, and then killing them.

     Finally, after much killing and aimless driving, the two women enter a swingers’ bar and kill many of the couples there. The pair discuss what they have done, and agree that it has all been pointless because nothing has changed inside them even though they have become country’s most wanted.

     They keep going on the killing spree, but Manu is suddenly shot in a convenience store after her attempt to rob it. Nadine runs inside the store just to find the dead Manu’s body. Later Nadine decides to burn Manu’s body and to commit suicide. She flees to a remote cabin to do it, but gets arrested by the police right before she wants to finish with her “worthless” life.

     The Marquis de Sade enters his Bedroom, puts on a face of one of his libertines and says in a philosophical tone:

     “…that it’s only human pride which makes murder into crime? For the murderer just turns the mass of flesh that today appears as a person into tomorrow’s clump of earthworms. Does nature care more about one than the other?”⁷

     I remember traveling with my friend through a desert in California. What amazed me was that there was no greenery around. I remember thinking: “How strange,” but meanwhile I had another thought: “How strangely beautiful, those rocks and sand with some brown grass.” At that exact moment, even though I was adoring the scenery, I understood that I missed the greenery I was accustomed to every day.

     Closer to the evening we came to a house in the middle of the desert. Surprisingly it had a tree and a few patches of brown grass around it. The hostess of the house greeted us with warmth and asked us if we would like to sit in the shadow of the lonely tree. We agreed and sat in the shadow waiting till the hostess brought us some lemonade.

     While sitting on a bench I looked at the branches of the tree and realized that the leaves of the tree had thorns. It was impossible to touch them. The hostess saw my interest and told me that this tree was planted by her father and that it is dear to her soul. I remember thinking: “Strange, this type of tree in the place I was living would be considered poor and not worth anything, while here it had a great importance, not only because it was planted by somebody’s father, but also because it threw a shadow on patches of grass growing below.”

     Suddenly the hostess exclaimed: “How do you like my garden?”

     First I was puzzled and started looking for a garden the hostess was asking about, but there was only one tree and the brown grass patches around it. After the hostess saw my puzzled look she pointed to the tree and the grass and told that that was her garden.

     Later I learnt that she had been living in the desert her whole life. When I returned home I went to visit my garden. My garden was green and full of life. Roses in the garden had just bloomed. They were giving me the most beautiful colors I could imagine. I bent over to feel their scent when my attention caught some grass growing in the shadow of a rose bush. It wasn’t there before I went to California, so I grabbed it and rooted it out. Then I touched a rose’s blossom, but was stung by a thorn on the rose’s stem.

     “How beautiful, yet with thorns,” I thought.

     The lifeless desert and colorful garden made me understand something. To understand the beauty of a rose I needed a weed to grow next to it. To understand importance of a weed I needed a desert and a tree. To understand the impossible I needed a rose and a desert.

     Nadine and Manu’s need for each other is obvious. They were meant for each other as the rose and the weed was in the garden. People see a weed growing next to a rose immediately suggest that the owner of the garden is lazy, but in reality the gardener wants the rose to have company of the weed. Maybe he wants to enjoy the differences between the two of them. The rooting out the weed is making the controversial disappear. The norm of how the garden should look is forced upon the gardener.

     That spring I met somebody who made me think about the beauty in desert.

     I have always been drawn to deserted places. In the city one would call them seedy, lonely, sad, sometimes, the places where your dreams tell you their own scary fairy tales. There are only a few people who would go there just to be surrounded by all that mystery, the mystery only our unconsciousness can explain. I would go there sit and watch people who would play In the Realm of the Senses⁸ right in front of me. I don’t know why I was drawn to those places. When I was there it was almost like having a conversation with evil; who would answer my questions god knew no answer to. I believe George Bataille got some answers from those kind of places. I don’t know for sure if we were looking for the same excitement though. Dialogs between Eros and Thanatos were definitely happening there where Bataille got his inspiration (he was frequent visitor to bordellos). Bataille’s main idea is that sex is death. Through the sexual act we give birth to death; thus Eros and Thanatos are the same. Greek/Roman mythology says that they looked similar, with wings and were very handsome men; thus dialog between them is inside of our inner soul.

     One of those nights I met a person who came there to unleash his “fairy tales,” or let Eros and Thanatos go and make love to each other freely. He saw me sitting in the corner and watching. First he moved around the room, then he came to me and introduced himself. Suddenly he invited me to his house to read his poetry. I was intrigued. Was that my personal “fairy tale teller” saying to me: “go explore the unknown,” or was it my soul searching for that something Freud calls “the value of dreams?” So I went, even though I knew nothing about the person. I was surprised that I wasn’t thinking about anything bad that could happen in that kind of situation. I was interested in what the meeting would give birth to. Strangely enough, on the way to his place I remembered Pier Paolo Pasolini and his nightly escapades with male prostitutes. Still we don’t know if he was killed by one of them on the eve of All Saints. Most of the times our unconsciousness leads us to places where shadows become reality. Suddenly I imagined being taken by Nadine and Manu from Baise-Moi (Fuck Me) and executed without mercy. Nadine and Manu were so real at that moment that I even started thinking: “is it going to happen the way it happened in the film?” I don’t know how I could understand their pain at that moment, but I understood, or thought that I understood; maybe because at that moment I was without a place, going somewhere I could be raped and left as Pasolini was left:

     “Just because it’s a holiday. And in protest I want to die/ of humiliation. I want them to find me dead/ with my penis sticking out, my trousers spotted with white/ sperm, among the millet plants covered with blood-red liquid. / I am convinced that also the last act, to which I alone, the actor, am witness, in a river/ that no one comes to – will, eventually,/ acquire a meaning.”⁹

     Nothing made me be scared of the situation I was physically in at that moment. I was more involved in thinking of why Baise-Moi was born and how it was made. Was it born as a result of Eros and Thanatos having sex? Crazy thought! My mind flew into the realm of shadows, shadows which created “evil” films. German philosopher Leibniz in his Théodicée (‘Theodicy,’ 1710) explained “that in order to perceive light [good], there has to be shadow [evil], that a life containing nothing but sweetness would be cloying.”¹⁰

     Hm, I wasn’t expecting to talk in this sweet tone after watching Baise-Moi, one of the “evil” movies. Wasn’t I supposed to talk about killing somebody or having sex in unthinkable places?

     My mind began writing notes to my undersoul. They were very personal. I could not imagine how I could censor them. They were my nature, my experience, my life. Missing one or another part would just hurt my being. I would not be able to understand what was happening right then without looking at my own soul’s intelligence somebody would like to censor. I would not be able to write the second note to my undersoul if I pretended that what happened didn’t happen. So, before I was in love, I had to be alone. To be alone meant to be with my raw senses. I became like the butterfly which Thanatos was always carrying. I felt like Kierkergaard was yelling to my ear: “There are well known insects which die in the moment of fecundation. So it is with all joy: life’s supreme and richest moment of pleasure is coupled with death.”¹¹

     I was fearless as fearless were Manu and Nadine, but “wait!” somebody said, that is not right, exposing yourself on screen is censored. But how can I show that I’m not afraid to be exposed? To be naked meant to show death. The naked body is a picture of death, thus evil, Bataille explained. Nobody likes death. We need to cut it out or censor it. You want to say you want to execute me? But I have not been in love.

     To be continued…

Endnotes:

5. Certification status of Baise-Moi today:

Australia: Refused Classification (re-rating) (2002); Australia: R (original rating); Belgium: KNT ?; Canada: 18 (New Brunswick/Nova Scotia/Prince Edward Island); Canada: R (Alberta/British Columbia/Manitoba/Ontario/Saskatchewan);Canada: 18+ (Québec); Canada: R; Chile: 18; Finland: K-18; France: -16 (original rating); France: -18 (re-release); France: X (re-rating) (2000) (court decision); Germany: 18; Hong Kong: III (heavily cut); Iceland: 16; Ireland: (Banned); Italy: VM18; Japan: R-15; Luxembourg: 17 27; Netherlands: 16; New Zealand: (Banned) (video rating); New Zealand: R18 (re-release); Norway: 18; Peru: 18; Singapore: (Banned); South Africa: 18; Spain: 18; Sweden: 15; UK: 18 (cut); USA: Unrated

6. The Marquis de Sade quoted in Susan Neiman, Evil in Modern Thought: an Alternative History of Philosophy. (New Jersey: Princeton University Press, 2002), 184.

7. The Marquis de Sade, Justine, Philosophy in the Bedroom, and other writings (New York: Grove Press, Inc., 1965), 519.

8. Suggestion to the film by the same name (In the Realm of Senses. Dir. Nagisha Oshima. Perf. Eiko Matsuda and Tatsuya Fuji. Genius Entertainment and Wellspring, 1979)

9. Pier Paolo Pasolini, Bestia da Stile [Stylish Beast]

10. Susan Neiman, Evil in Modern Thought (New Jersey: Princeton University Press, 2002), 223.

11. Starrs, Deadly Dialectics, 97.